Spring Salon September
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Tyrone LayneSaint-Paul Metro, Paris, 2026oil on canvas25 x 25 cm$ 850.00TL003 -
Kyle HoffmannPoppy #15, 2020Photograph90 x 90 cm
framedEdition of 5 plus 2 artist's proofs$ 8,800.00KH002 -
Jon SetterMaroubra 1 (Life Savers), 2020-2025Archival pigment print on cotton rag160 x 120 cmEdition of 5 plus 2 artist's proofs$ 4,800.00823
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Jon SetterDee Why (Rock Pool), 2020-2025Archival pigment print on cotton rag64 x 48 cmEdition of 5$ 2,400.00815
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Jon SetterTamarama 1 (Life Savers), 2020-2025Archival pigment print on cotton rag160 x 120 cmEdition of 3 plus 2 AP$ 4,800.00818
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Jon SetterManly 2 (Life Savers), 2020-2025Archival pigment print on cotton rag64 x 48 cmEdition of 5 plus 2 AP$ 2,400.00814
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Jon SetterWetsuit 3 (Bondi) - Yellow, 2020-2025Backlit transparent archival film, handmade light box43.7 x 33.7 x 5.7cmEdition of 3$ 2,400.00821
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Kyle HoffmannGinkgo , 2020Photograph90 x 90 cm
framed
Edition of 5 plus 2 artist's proofs$ 8,800.00KH001 -
Ash KeatingGSR A02, 2024-25Synthetic polymer and pigment on linen150 x 100 cm802
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Jay MiriamThe Garden Ladies, 2026oil on canvas182.9 x 152.4 cm011
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Kyle HoffmannYatsude, 2026Photograph112 x 90 cm
framedEdition of 5 plus 2 AP$ 10,000.00KH004 -
Kyle HoffmannGinkgo Leaves, 2026Photograph112 x 90 cm
FramedEdition of 5 plus 2 artist's proofsKH003
Forthcoming: Kyle Hoffmann's solo exhibition 'Lucky' debuts October 23 -- November 21, 2026. 8 Wall Gallery is currently previewing 'Yatsude' and Ginkgo Leaves', open Tuesday - Saturday 11 am - 5 pm and by appointment.
Lucky, 2020 - 2026
Lucky explores the ways people across cultures and throughout history have transformed ordinary objects into vessels for belief. Whether inherited through cultural tradition or discovered through personal experience, these forms become repositories for ideas of fortune, protection, and hope. The photographs consider how meaning is projected onto the material world, revealing a shared human impulse to seek certainty within uncertainty.
Lucky, 2020 - 2026
Lucky explores the ways people across cultures and throughout history have transformed ordinary objects into vessels for belief. Whether inherited through cultural tradition or discovered through personal experience, these forms become repositories for ideas of fortune, protection, and hope. The photographs consider how meaning is projected onto the material world, revealing a shared human impulse to seek certainty within uncertainty.